PERMISSIONLESS
GMSPACE - XCOPY IN VENICE
AFFILIATE PROGRAM
GMSPACE PARTICIPATED IN THE 1ST EDITIONS OF PERMISSIONLESS LISBON AND LONDON, SHOWCASING GREAT SUPPORT AND PASSION FOR THE PRACTICE.
HIS DEMONSTRATION OF THE UNDERSTANDING AND NATURE OF THESE PROJECTIONS was rewarded with a sponsored portable projector now in use for permissionless shows.
A coin for the Ferryman
MORTAL
All Time High in the City
Fidenza cuboid
Trashart
Grifters not welcome
MIAMI EDITION CURATED BY:
ALEKSANDRA ART - DESULTOR - EMPRESS TRASH - MAXCAPACITY - ROBNESS - T.A. - WONDERMUNDO
PLANNED DIGITALLY...
BUT ABSOLUTELY REAL
64 gallon gallery
( 64 gg )
Self totrait
WHY SHOULD YOU GO PERMISSIONLESS?
BECAUSE ART SHOULD RESPECT THE ETHOS OF THE MEDIUM IT IS SUPPORTED BY,
THE TECHNOLOGY YOU ARE USING TO DISTRIBUTE AND EXTEND YOUR WORK...
IS CALLED BLOCKCHAIN
"The blockchain does one thing: It replaces third-party trust with mathematical proof that something happened."
‘more and more as it rolls along it becomes a community effort and represents increased accessibility for artists from across the world from diverse of backgrounds.’
- empress trash
does permissionless
mean disorganised chaos?
no, we build thinking of the process first and the outcome later,
we got a vision and a mission and the means to create real change
vision 1: IN A DIGITAL ERA, THE VERY NATURE OF THE ART BEING PIXELS AND LIGHT FORCES AN INQUIRY ON THE NEED OF DEDICATED SPACES FOR EXHIBITING DIGITAL ART
vision 2: THE traditional INFRASTRUCTURE for art distribuition is facing obstacles as artists seeking independence and treasuring retaining value from their work
vision 3: the urban enviroment is becoming more alienating, digital guerrilla public art if persued with noble intent could assist in confronting this issue
vision 4: collaborative, accessible and artist driven, this pillars guarantee a street credibility for #permissionless to evolve organically and branch globally
vision 5: permissionless does not require artists to cover an entry fee nor requests percentages, gifts in the form of digital assets are appreciated
vision 6: permissionless while being experimental in the topics of decuration and disintermediation still takes the liberty to perform curation for it’s shows
vision 7: selected curators are fellow artists with the desire to design the experience and support other fellow artists, it’s practice that the curator joins the show
vision 8: THe permissionless show encourages local community to reach out to join the exhibition and assist to the production and communication of the show
vision 9: we seek to bring awe and communal spirit in the digital artist world including entertaining talks and panels on the nature of the permissionless excercise
vision 10: we encourage to buy portable projectors as our miroir models and join the movement even if in remote, send us your videos and reach out to schedule organised shows
last solo showS
CLAIRE
SILVER
COZOMO MEDICI MINUTES FEATURE
COZOMO:
Long time readers of the Minutes know, I am always in search of ways to elevate the art viewing experience.
And this innovative XCOPY display stopped me in my tracks. Part of the magic here is, it's done so well, but without a faney screen.
Which makes me think, there is a big opportunity to create innovative exhibition experiences.
Like an XCOPY exhibition, in a space designed as an underground bar.
Or Dom Qwek's digital sculptures, exhibited in a Medici Villa themed space.
You get the idea.
Let me ask you... who is reimagining how art is exhibited?
collect
